“I am pleased enough with surfaces – in fact they alone seem to me to be of much importance. Such things for example as the grasp of a child’s hand in your own, the flavor of an apple, the embrace of a friend or lover, the silk of a girl’s thigh, the sunlight on rock and leaves, the feel of music, the bark of a tree, the abrasion of granite and sand, the plunge of clear water into a pool, the face of the wind – what else is there? What else do we need?”
Edward Abbey – Deser Solitaire
Part 3 of the series is called TRANSFORMATION. These images were taken at the Noguchi Museum in New York during the summer of 2016. They revolve around the concept of the human transformation of materials and their blending into the crafted natural environment.
Isamu Noguchi, a major American and Japanese sculptor and designer, spent over six decades creating abstract works – largely in stone – based on both organic and geometric forms. Greatly inspired by traditional Japanese art, as well as by the biomorphic style of some Surrealist art, Noguchi became internationally known both for his artwork and his publicly accessible furniture and architecture. His ultimate objective, to create and enhance public spaces through sculpture, provided his career with a distinct direction and established him as a critical figure in the worlds of post-war art, architecture and design.
This is a video of one of its most important pieces: The Well (Variation on a Tskubal) 1982.
“Located within the garden at the Noguchi Museum in New York, The Well demonstrates Noguchi’s mastery of natural elements, and the strong presence of a Japanese aesthetic. Noguchi worked with stone his entire life, first learning how to carve while an assistant to Constantin Brancusi. Noguchi produced his final stone sculptures at his studio on Shikoku Island, Japan, where he worked with the local basalt stone. The Well perfectly balances modernism with traditional Japanese stonework, the man made with the natural. The piece unites natural contrasts: the fluidity and transparency of water against the still, solid black stone. Filtered up from below, the water gently skims the surface of The Well; there is a slight indentation on top that pools with water before cascading downwards. Noguchi sensually combines natural elements, creating a work that is both contemplative, but joyous.”
Walter, Basalt – The Isamu Noguchi Foundation.